Until all these things takes place
Until All These Things Take Place is a series of six ceramic coffins functioning as vessels of memory, materialising my heritage and its complex passage through time.
Each coffin encapsulates a specific memory, tradition, or pivotal moment.
The title, drawn from the Gospel of Matthew (24:32–34), invokes a narrative of anticipation, transformation, and legacy, framing the works within a context of prophetic waiting and fulfilment.
The coffin form is intentionally deployed for its immediate, visceral equation with death and finality.
This choice engages a form of linguistic determinism—wherein naming an object a “coffin” irrevocably shapes its perception—forcing a confrontation with mortality, loss, and preservation.
Within this funerary framework, the series performs an act of archival resistance, documenting a fading cultural lineage through the tangible language of ceramic sculpture.
